My Directorial Work...

This is really just to have it all in one place... So, here it is:

Smart Phriend or How I Learned to Stop Worrying and Love My Phone from Rocco Rosanio on Vimeo.

Enjoy ;)

Love,

-R*

To boldly go where no one has gone before...

I just saw the new Stark Trek (J.J. did his thing), and it rocked the casbah. I was super entertained, I'm sad I missed the IMAX. Ce la vie. It's new comic-book day (normally it's Wednesday, but Memorial day threw it off, and I find myself giddy with anticipation for the new Deadpool (which, since the new X-Men movie have been selling like hotcakes), but also pensive. I've been here now for about 1 & 1/2 years, and I felt it was time to check in with myself.

I've finished my script, and now, I have to get it made. Honestly, writing the script is most of the work. If your movie is good, you have a easier time getting it made, it's not rocket science. Not always, but most times (btw, any rich people interested in making a dark, beautiful, gritty drug-laced love story, or any movies for that matter, shoot me an email). I feel I've been productive, I've directed, edited, and produced two music videos (Nathan Nice: Perfect Somedays, and ceslrock: Buggo), plus the one short I wrote (BLU_SCRN). I've been trying to live up to my own expectations, and since the only acting work I've had access to has been commercially, I have quite a ways to go. I just got some new head shots (by Kendra Smith, excellent work) and cut a new theatrical demo reel together, so, I'm trying to get aggressive with sending my stuff out to managers and the like. Although, I know the only sure bet I have is my own script. My advice to people in this industry is: Sure, we all hope to be instantly discovered, but you can't sit around and wait for it to happen, you have to try to make it happen. In this case, I'm taking my own advice, and trying to bring to life my 98 page ticket. Take some responsibility for my career. At least I have to convince myself that I have some control, otherwise, you might as well play the lottery. I mean, if you resolve to make a professional living from acting, or writing, or any art, even if you are gambling, you should find a way to stack the deck ;)

ps - see Star Trek. And, if any casting peeps find this, please, cast me in the sequel. And, the Deadpool movie. ;P

'til next time kiddies.

love,

-R*

The Migration (On the front lines...)

I am an artist. Actually, more specifically an actor. I moved to Los Angeles from New York to try to further my career (and less importantly, to see what this whole west-coast thing was all about). I grew up in the east, and like all humans, I feared the unknown. I was all like, "Fuck LA, I'll go when LA calls, why leave NY, it's so amazing". Now, NY is amazing, don't get me wrong, but in a business where any and every-thing is possible, and you have a better chance of being struck by lightening than "making it", why eliminate ANY avenue for success. It was worth exploring, at the very least. So I left my rent controlled apartment, packed a bag, and hit JFK. Well, not entirely true, I kicked it in Philadelphia with my mom for a week or two, and did a few days on a film before I left (get face time with the fam, and have a credit to roll out with: win-win.) After that, I departed via a JetBlue buddy pass I was bestowed with and came to Hollywood (aka Holly-hood). I was staying with a friend in an office (yes, an office) that he set-up to be livable, although I say livable loosely. Yes it was a roof, and walls, and there was a bathroom...but to shower or cook, we need to outsource to a friend's apartment around the corner (which I thanked the universe for everyday). Now, I lived in NYC for seven years, and I've seen some CRAZY shit. Two weeks on Hollywood Boulevard, blew it all out of the box, I mean that shit is INSANE! But, I digress, It's odd how you start appreciating the little things when you're in a crazy situation, like being alone. Which at the time, would only happen for the twenty minutes I spent in the shower (the bathrooms at the office were, well, office bathrooms shared by the floor. Not very private).  But screw it, I was living the dream. I had been working with the agencies in New York that had offices in LA, so I figured it would only be a matter of time before I was right back in the swing of things. A smooth transition. I was half-right.

Here's some little tid-bits for any aspiring actors out there, especially if you want to do the bi-coastal jump:

a.) The agencies are the same, the agents are not. Nothing is guaranteed, just because NY reps you, does NOT mean LA will, and vice-versa.

b.) It's a whole new casting director circuit. All of the national bookings and call-backs in the world don't mean sh*t, and you will have to re-establish yourself (just remember, if you did it once, you can do it again)

c.) Find your inner producer. If you have any self-motivation, you will find there is a LOT of work here, you just may have to look under various rocks and shrubs. Learn to hone other film/stage related skills, and try a new approach. Learn to edit, do make-up, direct even...whatever you can do to stay productive, and maybe even meet other film makers who could later discover you act, and work with you on that level. You NEVER know.

d.) Network, Network, NETWORK!!

e.) Last but not least, put you $$ where your mouth is, and don't be a flake. Make your own films/plays and make them by any means necessary. If you can take something from idea to reality, you will not only attract other creative people, but you will be taken more seriously. There's a lot of crap out there, and a lot of talk with no action, use it to your advantage.

I'm not the best at taking my own advice, so I wouldn't expect anyone else to, but I'm speaking from experience. Since I've lived here, the only reason I've survived has been doing these things. I wrote and directed a short film that I also edited and produced. That film ended up getting me editing work which literally saved my life, it helped my solidify relationships with other film makers, allowed me to indulge my desire to direct, gave me a chance to act, and has brought other scripts my way that people want to make. I'm not saying it'll solve your problems, I'm still not anywhere close to where I want or need to be. But, it will help you survive another day, so you can be in the mix, and maybe get your break. In the mean time, I've discontinued (to put it lightly) my relationship with my legit/theatrical agents out here in LA, which set me back a bit, but I'm not discouraged. I've been writing as much as possible now, for two reasons. One, I have time and a voice, so I'm trying to use them wisely. Two, if no one GIVES you what you want, you have to TAKE it. I'm developing a pilot, and a feature screenplay, and you bet your ass I'm doing it for selfish reasons ;) Until next time...

ONE.